I am a Berlin-based Creative Director and Concept Designer specializing in spaces of communication. With a BA in Visual Communication, an MA in Exhibition and Spatial Design and over 10 years of experience in the industry, my work spans exhibitions, installations, set design, media experiences and immersive environments - primarily for museums and cultural institutions. I’ve worked in international, interdisciplinary teams with various levels of responsibility and have also led a team creatively, ensuring the project’s vision is realized.
Each project begins with a story, a guiding narrative that shapes how visitors move, perceive and engage with a space. I translate this concept into the choreography of spatial design, graphic and audiovisual content, interactive elements and exhibits, creating experiences that communicate, connect and resonate.
I also enjoy sharing my knowledge and experience with students and have gathered experience conducting workshops and lectures.
I am open for freelance work. Drop me a mail.
Museum of the Viking Age, Oslo
Technische Universität Berlin
American Museum of Natural History, New York
Smithsonian Museum of Natural History, Washigton D.C
Museum of Film Frankfurt
Ralph Appelbaum Associates
Körber Stiftung Hamburg
Universität der Künste Berlin
Hochschule für angewandte Wissenschaften Hamburg






In my role as Master Coach, I accompanied two Master’s students over the course of one semester as they developed a spatial installation incorporating a live classical music concert. Their work set out to challenge established concert formats and to interrogate the question: When does a concert become a concert?
The final installation featured a string quartet performing live at the center of the space, with the audience seated around them. Through the use of live projections and mirrors, multiple and shifting perspectives were created, destabilizing conventional modes of spectatorship. In this way, the traditional hierarchy between performers and audience was questioned and redefined.
Students: Canan Bunk and Annika Dobbrodt
“Imaginative fiction trains people to be aware that there are other ways to do things and other ways to be.”
This quote from Ursula K. Le Guin served as the starting point for a two-day workshop in which the goal was to break the power of habits. To this end, we examined a conventional sponge for its properties, such as texture, materiality, and usefulness.
The joint focus was primarily on the process of deconstruction. Using various deconstruction techniques, such as sampling, molding, and scaling, it was alienated and placed in new contexts. This resulted in new narratives and unusual artifacts.
Students: Adam Behlen, Agata Hörttrich, Aisha Ramm, Charlotte Hornung, Janine Aschenbrenner, Josef Schneble, Laura Thiele, Manou Schatton, Taro Usami
How do we perceive spaces and how can we share this subjective perception with others and enter into an exchange about it?
The workshop began at Kurt-Hiller-Park in Schöneberg, Berlin. We analyzed the conditions and norms of individual fragments of the park and experienced and recorded them with all our senses. These were then translated experimentally into models of perception.
At the end of the two-day workshop, these transformed versions were juxtaposed with the public space and the fragments of perception came together again at the starting point in the form of an exhibition.
Supported by the women’s promotion program of the UdK
I am a Berlin-based Creative Director and Concept Designer specializing in spaces of communication. With a BA in Visual Communication, an MA in Exhibition and Spatial Design and over 10 years of experience in the industry, my work spans exhibitions, installations, set design, media experiences and immersive environments - primarily for museums and cultural institutions. I’ve worked in international, interdisciplinary teams with various levels of responsibility and have also led a team creatively, ensuring the project’s vision is realized.
Each project begins with a story, a guiding narrative that shapes how visitors move, perceive and engage with a space. I translate this concept into the choreography of spatial design, graphic and audiovisual content, interactive elements and exhibits, creating experiences that communicate, connect and resonate.
I also enjoy sharing my knowledge and experience with students and have gathered experience conducting workshops and lectures.
I am open for freelance work. Drop me a mail.
Museum of the Viking Age, Oslo
Technische Universität Berlin
American Museum of Natural History, New York
Smithsonian Museum of Natural History, Washigton D.C
Museum of Film Frankfurt
Ralph Appelbaum Associates
Körber Stiftung Hamburg
Universität der Künste Berlin
Hochschule für angewandte Wissenschaften Hamburg






In my role as Master Coach, I accompanied two Master’s students over the course of one semester as they developed a spatial installation incorporating a live classical music concert. Their work set out to challenge established concert formats and to interrogate the question: When does a concert become a concert?
The final installation featured a string quartet performing live at the center of the space, with the audience seated around them. Through the use of live projections and mirrors, multiple and shifting perspectives were created, destabilizing conventional modes of spectatorship. In this way, the traditional hierarchy between performers and audience was questioned and redefined.
Students: Canan Bunk and Annika Dobbrodt
“Imaginative fiction trains people to be aware that there are other ways to do things and other ways to be.”
This quote from Ursula K. Le Guin served as the starting point for a two-day workshop in which the goal was to break the power of habits. To this end, we examined a conventional sponge for its properties, such as texture, materiality, and usefulness.
The joint focus was primarily on the process of deconstruction. Using various deconstruction techniques, such as sampling, molding, and scaling, it was alienated and placed in new contexts. This resulted in new narratives and unusual artifacts.
Students: Adam Behlen, Agata Hörttrich, Aisha Ramm, Charlotte Hornung, Janine Aschenbrenner, Josef Schneble, Laura Thiele, Manou Schatton, Taro Usami
How do we perceive spaces and how can we share this subjective perception with others and enter into an exchange about it?
The workshop began at Kurt-Hiller-Park in Schöneberg, Berlin. We analyzed the conditions and norms of individual fragments of the park and experienced and recorded them with all our senses. These were then translated experimentally into models of perception.
At the end of the two-day workshop, these transformed versions were juxtaposed with the public space and the fragments of perception came together again at the starting point in the form of an exhibition.
Supported by the women’s promotion program of the UdK